Femrnes devant un cafe, le soir (Women on the Feydeau, Ernest, 2 !99 Terrace of a Cafe in the Evening), 103, 106, Flaubert, Gustave, 2, 14 Index IIO Flor, Charles, 140 106—09, -> 111 — 12, 18111152, 18111154; La Fete de la patronne (The Madam's Name Day), Forain, Jean-Louis, 6; Le Client (The Customer), 44, 45; La Fille Elisa notebook drawings, 40—42, 41, 47; Maison close (Brothel), 30, 31 29-30, 30, 47; Le Repos (Repose), 32, 33; Repos sur le lit (Resting on the Bed), 46, 47, 47 Gamier, Jules-Arsene, Le Constat d'adultere Delacroix, Eugene, 16 (Proof of Adultery), 113, 114 Demi-monde. See Courtesans Gervex, Henri, 6, 171-72n93 Department stores, 58, 63—64. See also Fashion — works: Autopsie a VHotel-Dieu (Autopsy at the Desboutin, Marcellin, Fille de Brasserie, 147, 149 Hospital), i77ni 16; Groupe a table (Group at Desire: male, and sexual needs, 12, 13, 16, Table), 103, loj; Rolla, 5, 79, 80, 81-83, &4-> i58n45; simulated by prostitutes, 19, 26, 8 2 1 niol 5~93> !5 > 17 -721^193-94, i73 > 6 1 I o: male 173— 76nnio3— 06, i77ni22, i78ni28 28-29, 35> 3 > 4 * !34» H7> 5 > ' ambivalence of, 71-72; female, deviance of, 90; Gillot, "Fantaisies parisiennes" ("Parisian and spectatorship, i6in2o. See also Fantasy; Fantasies"), 96, 98, 109 Sexuality Giraud, Eugene, La Salle des pas perdus (The Hall Deviance, sexual, 9-10, 11, 13, 15, 19, 33, 48, 55, of Missteps), 92 71, 72, 90, 92. See also Sexuality Glimpse pictures, 6, 26, 27, 33, 35, 107, 122, 124, Divorce, 63, i8in2. See also Marriage 131, 150. See also Ambiguity; Avant-garde art; Double standard, 11-12, 13, 15, 114-15 Narrative; Realism Draner, Jules (Jules Renard), Au salon (At the Goetschy, Gustave, 78 Salon), 41, 42 Goncourt brothers, 2, 14; Edmond de, 5, 29, 33, Drinking: by prostitutes, 96, 99, 101, 140, 112, 133, i7in9i, 180— 8ini5i i8oni42; public concern about, 96, 140, Gonse, Louis, 167-68^3 i85n49; by respectable women, 101, 103; in Gonzales, Eva, La Modiste (The Milliner), 116, brasseries a femmes, 133, 138, 140, 142, 144, 121, 131, 132 1851149 Grison, Georges, 94 Duez, Ernest- Ange, 6; Splendeur (Splendor) and Guyot, Yves, 1 1 Misere (Misery), 65, 66, 67, 167— 68nn42— 43 Guys, Constantin, 2 Dumas, Alexandre ills, 2, 36, 62 Duranty, Edmond, 103, 106 Hadol, Paul, "L'Araignee du soir" ("Evening Spider"), 98, 99 Estaminets, 29. See also Brothels Haenen, P. de, Paris qui s'en va — Le Cabaret du Exhibitions: Salon, 2, 3, 65, 70, 75, 79, 83, 85, 88, Pere Lunette (Disappearing Paris — The Cabaret 92, 96; Impressionist, 17, 48, 103, 172^3; of of "Papa Eyeglasses"), 72, 7^ Nana at Giroux, 69, 75, 170^6; Manet's, at La Halevy, Ludovic, 163^0 Vie Moderne, 75, 78-79, 142, 144, 170^6; of Hats, 74, 108, i65n5, 180— 8mi5i. See also Rolla at M. M. Bague, 81 Clothing Exposition Universelle (1878), 28, 36, 92, 140 Haussmann, Raron Georges, 2, 15 Huysmans, Joris-Karl, 5, 33, 42, 78, 79, i7on8i Faces, 23, 47-48, 69, 83, 128, 163^0. See also Bodies Ignotus, 63 Fantasy, 5, 17, 19, 20-21, 23, 26, 41, 91. See also Impressionism, group identity, 6, 172^3. See also Desire Avant-garde art; Modern life Fashion: vehicle of power for women, 58-59, Impressionist exhibitions, 172^3; 1874, 17; i8jj, 74—75; of courtesans, 59—63, 65, 67, 69, 103; 1 88 1, 48. See also Exhibitions 74-75, 92; leads to immorality, 60-61, 63-64, 67, 120; women compete via, 63; and corsets, Jacques, 106-07 89-90, 91-92. See also Clothing; Department Janmot, L., 67 stores July Monarchy, i, 2-3, 12, 81, 172^4 Fau, Fernand, illustrations for Les Brasseries a Femmes de Paris, 138, 1^9 Kemplen, Alfred Richard, UAssommoir Feneon, Felix, 88 illustrations, 96, 97