ig8 Camescasse, Jean, 140 Confusion. See Ambiguity Index Capitalism, 8. See also Bourgeoisie; Consumption. See Commodification; Department Commodification stores; Fashion Cardon, Emile, 19, 85 Contraception, 5 Caricatures, 6, 96. See also Popular art; individual Conventional art. See Pompier art; Popular art; artists Salon art Castagnary, Jules, 17, 19 Coquiot, Gustave, 128 "Ces dames et 1'Exposition" ("These Women and Corsets, 69, 70, 75 — 76, 78—79, 83, 89 — 92, 108, the Exposition"), 92 i69n7i, i7in9i, i78ni28. See also Clothing; 2 2 Fashion; Underwear Cezanne, Paul: sexual feelings, 16-17, !9» 3> ^, I59n53; contemporary criticism, 17, 19 Cote, Hippolyte, "Croquis parisien" ("Paris — works: U eternal feminin (The Eternal Feminine), Sketch"), 99 23, 24; UneModerne Olympia (A Modern Courbet, Gustave, Les Demoiselles des bords de la Olympia) (1869-70), 5, 16, 17, 20-21, 23, 152; Seine [ete] (Young Ladies on the Banks of the UneModerne Olympia (A Modern Olympia) Seine [Summer]), 2, j, 6 (1872-73), 5, 16, 17, 18, 19, 21, 41, 152; Courtesans: as clandestine prostitutes, 2, 19; Olympia (1877), 5, 21, 22, 23, 152; La Toilette clothing of, 59-60, 62-64, 65, 67, 74-75, de la courtisane (The Courtesan's Toilette), 23, 91-92, i67-68n43. See also Clandestine 2J, 26 prostitution; Prostitutes Charpentier, Georges, 133 Couture, Thomas, 2, 172^4 Clandestine prostitution: increase in, 2, 7, 12-13, Customers: social class of, i, 11 — 12, 28, 47; 19, 35; courtesans, 2, 19; millinery shops, 6, feelings of, 46—47 (see also Desire). See also 113, 120—21, 126, 128, 130; brasseries a Brothels; Men 8 2 l8 n femmes, 6, 133-34, i3 -4 > H7> i5°> 4 37> i85n49, i85n59; and regulationism, 12-13, Dagnan-Bouveret, Pascal-Adolphe-Jean, Repos a 1 l8 n cote de la Seine (A Rest by the Seine), 118, 1/9 14—15, 46, 94, 120—21, 133—34, 4°' 5 49; in literature, 118. See also Courtesans; Daudet, Alphonse, 133 Prostitution David, Paul, "Boulevardieres" ("Boulevard Class: of prostitutes' customers, i, 11 — 12, 28, 47; Women"), 101 boundaries blurred by prostitution, 2, 7, 12, 72; Degas, Edgar: date of brothel monotypes, 5, 27, working-class women and prostitution, 6, 14, i56nio; elliptical treatment of prostitution in 15, 75, 90, 91, 92-93, 108, 115, 117-18, 131, public works, 6; milliner pictures, 6, 116, 121, 153; distinctions and female sexuality, 13, 15, 128—30, i83n33; brothel monotypes, 27, 30, 33, 128; stereotypes, 48; indicated by clothing, 56, 35-36, 39-42, 44, 46-51, 55, 152, i59-6oni, 59, 64, 91—92: and propriety of women's work, 163^2; construction of the body, 28, 36, 39, 40, 1 13— 14. See also Bourgeoisie; Working class 8 lo8 l6 43-44. 47~4 > 5°-5!> 55' > 4n55; Clients. See Customers; Men literary influences, 29, 33; his sexuality, 48-50, Clothing: in brothels, 29, 35, 36, 92, i6onio, i63n32, 163-64^3; and Gervex, 87-89, i62n2i; indicates social class, 56, 59, 64, 1O i77nii6; and narrative, 103, 106—07, 9? 91-92; to designate prostitutes, 56, 108, 165^, 111 — 12, 128, 130, i8ini52 i8o-8ini5i; and sexuality, 58-59, 64-65, — works: Absinthe, 146; UAtelier de la modiste 72, 91, 167— 68n43; of courtesans, 59—60, (The Millinery Shop), 129-30; L'Attente 62-64, 65, 67, 74-75, 91-92, i67~68n43. See (Waiting), 51; UAttente (Waiting), 108, 109; also Corsets; Department stores; Fashion; Hats; UAttente (Waiting for the Client), 36, ^7, 39; Au Underwear Cafe (Cafe Scene), 108, m;Au Salon (In the Coindre, Gaston, "Le Ridicule" ("Ridicule"), Salon), 39, 40; Chez la modiste (At the Milliner), 2 128-29, 129; Le Client (The Customer), 20, 38, 59, 9 Commenge, Octave, 116 39, 46, 47; Le Client serieux (The Serious Commodification: sexual marketplace, 7, 19, 23; Customer), 34, 35, 46, 47, 51; Conversation, prostitution and, 7-10, 33, 35, 39-40, 41-42, 51, J2; Dans le salon d'une maison close (In a 70, 147, 150; in modern life, 8—9, 35, 131, 144, Brothel Salon), 51; Deuxfemmes [scene de 150, 152-53; in art, 28, 33, 35, 39-40, 46, 50, maison close] (Two Women [Scene in a Brothel]), 150. See also Bourgeoisie 51, 54; UEntremetteuse (The Procuress), 51, 53; Commune, Paris, 7, 12, 94, 96 Femme dans un cafe (Woman in a Cafe), 99, 101;