Musee d'Orsay (Paris), 2, 15, 52, 83 pears self-portrait by, 6 1 manual, 56 Musee du Louvre (Paris), 32, 33, in Still Life: Sugar Bowl, Pears, Provence in Still Life with Blue Pot, 65 35>9<> and Blue Cup, 12-13 in Still Life with Apples, 17 in Still Life with Compotier, 14 Musee Granet (Aix-en-Provence), in Still Life with Apples, Pears, in Still Life with Blue Pot, 138 of studio and home, linkage 12, 4in.i and a Pot, 35 Puget, Pierre, 14 between, 15-16 Museum Boijmans (Rotterdam), 84 in Three Pears, 125 Spelling Collection, 58 Museum Mesdag (Hague), 57 pencil marks still life(s) Museum of Modern Art (New development of technique using, Reinhart Collection (Winterthur, Aix-en-Provence in, 18 York), 3, 70 122-29 Switzerland), 70 Fry (Roger) on, 2-3, 65 expanding functions of, 122-23 Renoir, Pierre-Auguste landscapes as, 67-71 ratio of watercolor to, 85, 127, 128 Calla Lily and Greenhouse Plants, 70 Schapiro (Meyer) on, 3 National Gallery of Art in Still Life with Blue Pot, 104, gardening paintings of, 67, 69 •Still Life: Flowers and Fruit on a (Washington, B.C.), 13, 57, 69 i22 n and genre divisions, 64 Table (Cezanne), 123-25, 124, 105, 106-7, i°8, H5; > i35 -6 National Museum of Wales in Three Pears, 125, 126, 13511.9 visiting Jas de Bouffan, 20 129, 135^7 (Cardiff), 50 perspective Reves Collection (Dallas), 93 Still Life: Sugar Bowl, Pears, and Nouvelle-Athenes (Paris), 19 binary, 61 Rewald, John, 99n.2, i35n.6 Blue Cup (Cezanne), 12, 12-13 nudes Cezanne's transformation of, 61, 62 Rilke, Rainer Maria Chardin's^influence on, 55 classical genre of, 64 in landscapes, 50 on blue (color), 138 vs. Still Life: Flowers and Pruit on from imagination vs. model, 88 phenomenology, 129-30 on Chardin (Jean-Simeon), 72n.8 a Table, 123, 124 as still lifes, 65 Philadelphia Museum of Art, 22, on sexuality of fruits, 35,36, 43n.2i vs. Still Life with Blue Pot, 13 24-25, 26-27, 28, 29 Rocks at Bibemus (Cezanne), 123, 123 Still Life with a Black Clock Phillips Collection (Washington, Rousseau, Philippe, 53 (Cezanne), 43n.2i oil D.C.), 91, 99n.8 Still Life with Apples, Pears, and a influence of watercolor work on, Picasso, Pablo , Pot (Cezanne), 35 99n-3 Cezanne's Bathers and, 2 Salon d'Automne (Paris), exhibitions Still Life with Apples (Cezanne) vs. watercolor, 1-2 Demoiselles d'Avignon, 2, 6n.3 at, 19 /(c, 1877-78), 51, 51-53, 56 watercolor ebauches for, 88-92 genre divisions of, 64 Salons, Cezanne's submissions to, Still Life with Apples (Cezanne) onions, 4in.4 picnic basket, in Still Life with 19, 42n.n l (1893-94), &> 16-17, 56 in Still Life with Plaster Cast, 14, Basket, 14 Schapiro, Meyer, 3, 4, 35 Still Life, with Apples (Courbet), 57, 57 15, 60, 62 Pierpont Morgan Library (New schizophrenia, 21, 42n. 17 Still Life with Apples and Chair optical changes, in series vs. York), 87, 95 sculpture, competition with Back (Cezanne), 38, 40, 94 variations, 94 Piles, Roger de, 99n.4 painting, 60 Still Life with Apples and Oranges oranges, in Still Life with Apples Pissarro, Camille, 19, 79, 9911,7 Seated Woman (Madame Cezanne) (Cezanne), 51-53, 52 and Oranges, 51-52 pitcher, in Still Life with Blue Pot, 9, (Cezanne), 89, 90 . Still Life with Apples on a Sideboard 108, 108, 136, 137-39 series, Impressionist, vs. Cezanne's (Cezanne), 92, 93, 94 plants, 67-71 variations, 94 Still Life, with Basket; or, The Kitchen painting plaster cast, in Still Life with Plaster sexuality Table (Cezanne), 14-16, 15, 56 academic system of, stages in, Cast, 14-15, 60, 62 of couillarde manner, 12, 4in.2 Still Life with Blue Pot (Cezanne), xii 78-79 Plaster Cupid (Cezanne) (c. 1890), of fruit, 3, 35, 36 archaeology of, 103-20 competition with sculpture, 60 85,^6,87,88 in still lifes, 3 I1 21 bottom of, 112-13, 3> 4 drawing and, physical nature of, Plaster Cupid (Cezanne) (c. 1900- Shaw, Jennifer L, 99^4 center of, ..103-5 129-30 1904), 85, 87 Simms, Matthew, i4on.2 changes in, 107 paper plein air motif, 79, 88, 89 sketchbook drawings Chardin's influence on, 53-55 in Still Life with Blue Pot, 103, Plymouth, Earl of, 50 mixed genres in, 64 color in, 113-20, 137-39 103-4 pomegranates, 53, 7211.7 of son, 22-28, 23, 24, 26, 27 composition of, 76 in Still Life with Carafe, Bottle, pot. See also blue pot; white pot of wife, 28-33, 30 computer-enhanced infrared and Fruit, 133 in Still Life with Apples, Pears, Sketchbook Page with Two Studies digital capture of, 102, 104 in Three Pears, 125, 126 and a Pot, 35 of Paul Cezanne (Son), a Female details of, 11, 46, 47, 48, 49, 103-21 Paris in Still Life with Cut Watermelon, Half-Figure Study, a Bather, keys to, 141-43 Cezanne in, 17-18, 19, 20 35; 36 and a Glass (Cezanne), 22, 23 family imagery in, 11, 31 exhibitions in, 19, 42n.n Poussin, Nicolas, 50, 7in.5 skull, human, 65-67 as finished work, 76 Paysage historique tradition, 50 Cezanne's revision of, 50, 7111.5 in Three Skulls, 65, 66 vs. Foliage, 71 Pearlman Foundation, 49, 123, 126, Landscape with the Body of space genre of, i, 53 127, i3 n. Phocion Carried out of Athens, . in The Dessert, 39, 40 inventory of objects in, i, 6n.i, 5 9 50,50 haptic, 72~73n.i4 9-11 (See also specific objects) 146 CEZANNE IN THE STUDIO