Emperaire, Achilla, 19 Fondation Beyeler (Riehen/ in Still Life with Blue Pot, 4, 109 Les Lauves studio esquisses, 78-79 Basel), 36 in Still Life with Compotier, 14 construction of, 21 Cezanne's, 85-88 Fontainas, Andre, 138 haptic space, 72-7311.14 development of technique at, in classical academic system, 78 Ford House (Grosse Pointe Shores), 10 Head and Hand of the Artist's Son 122-23 definition of, 79 Forest Path (Cezanne), 123, 123 Asleep (Cezanne), 22-23, 27 exterior of, 21 before and after tableau, 85-88 Frankenthaler, Helen, 48 Head of a Child and Hand as home to Cezanne, 21-22 L'Estaque, 20 fruit. See specific types (Cezanne), 22-23, 24 inheritance of, 22 Eternal Feminine (Cezanne) (oil), Fry, Roger Homage to Cezanne (Denis), 2, 2, 13 interior of, 11 88 88 monograph by, 2 home, tied to studio space, 15-16 inventory of objects in, 11 Eternal Feminine (Cezanne) on still life, 2-3, 65 horizon lines, in Still Life with Blue purchase of, 2 1 (watercolor), 88, 88 on Still Life with Compotier, 2, Pot, 48, 109, 109-12, 112 skulls displayed in, 65 etudes, 78-85 13,14,56 Hortensia (Cezanne), 67, 68 line, color and Cezanne's, 79-85 hydrangea, 28-33, 3°> 67 inversion of, 113-15, 132-33 in classical academic system, 78 in Still Life with Blue Pot, 113-15 composition of, increasing Gallatin Collection (Philadelphia), 29 linen. See tapestry; white linen complexity of, 79-81 gardening paintings, 67-71 Impressionism, Cezanne's relation Louvre (Paris), See Musee du definition of, 78 Gasquet, Henri to, 78 Louvre (Paris) elevation of, 78-79 in Aix-en-Provence, 17, 18 Impressionist exhibitions as tableaux, 79, 98 Cezanne's friendship with, 17 of 1874, !9 exhibitions, 19, 42n.n on Chardin (Jean-Simeon), 72n.8 of 1877, 6n.4, 19, 124, i35n.7 Madame Cezanne with Hortensias etudes at, 78, 79 on revision of Poussin, 7in.5 (Cezanne), 28-33, 30 Impressionist, 6n.4, 19, 124, 135^7 genres Manet, Edouard at Salon d'Automne, 19 classical divisions between, 64-65 J. Paul Getty Museum, xii, 16,54, Cezanne's visits with, 19 at Vollard's gallery, 4, 6n.4, 19 ideation vs. coloration required 63, 88, 90 Chardin's influence on, 53 watercolors in, 4, 6n.4, 19 for, 78 Jacket on a Chair (Cezanne), 32-35, influence on Cezanne, 12, 57-58 eye, paintings appealing to, 56 geometry, 55-56 34,79 Two Apples, 57, 57 eye-hand coordination, 56 geraniums, 67, 69 Jas de Bouffan property, 18, 20, 21 and variations on theme, 95, 96 in viewing Still Life with Blue Geraniums (Cezanne), 67, 69 fourdain, Francis, 7111.5 watercolors of, 57-58 Pot, 103 gestural changes, in series vs. manual space, 56 variations, 94 marriage, 20-24 gesturalism, 129 Kalf, Willem, Still Life with Ewer, masculinity, drawing linked to, 78, family Getty Museum. See }. Paul Getty Vessels, and Pomegranate, 53, 54 99n.4 paintings and drawings of, Museum kitchen tables, 35-37 The Masterpiece (Zola), 4, 20, 42^15 22-33 Ginger Jar with Fruit on a Table in Bottles, Pot, Alcohol Stove, and Matisse, Henri, 5 represented in Still Life with (Cezanne), 90, 90-91 Apples, 37 Mellon Collection (Washington, Blue Pot, 11, 31 Ginger Pot with Pomegranate and in Still Life with Apples, Pears, B.C.), 13, 57, 6 9 fantasy pictures, 88, 99n.7 Pears (Cezanne), 91, 91 and a Pot, 35 melon. See also Watermelon Fantin-Latour, Henri Gogh, Vincent van, 21 kitchens, 35-37 in Still Life with Milk Pot, Melon, Chardin's influence on, 53 Goldner, George, i35n.6 knife, in Still Life with Compotier, and Sugar Bowl, 9 flowers painted by, 59-60, 123 Goteborgs Konstmuseum, 55? 14,56 Merleau-Ponty, Maurice, 4311.17, influence on Cezanne, 59-62 Cowing, Lawrence, 4 Krugier-Poniatowski Collection, 89 129, 130-31 opinion of Cezanne's work, 73n.i6 Granet, Francois Marius, 4in.i Michallon, Achille-Etna, 50 Still Life with Torso and Flowers, Graphische Sammlung (Vienna), 23 Michelangelo, 15 59,60 The Green Pot (Cezanne), 31-32, 33, landscape(s) A Modern Olympia (Cezanne), 19, 57 and variations on theme, 95, 96 79 as ebauches, 79, 99n.8 Monet, Claude femininity, color linked to, 78, Greenberg, Clement, 62 as etudes, 78-79 on Cezanne, 19 99n.4, 132 horizon lines in, 48 gardening paintings of, 67, 69 Fitzwilliam Museum (Cambridge), perspective in, 50 and genre divisions, 64 51,81 hands of Still Life with Blue Pot, 45-50, passivity in works of, 99n.5 flowers paintings appealing to, 14, 56 53,64 series by, 94 by Cezanne, 67, 123 in viewing Still Life with Blue as still lifes, 67-71 Mont Sainte-Victoire (Cezanne), 48, by Fantin-Latour (Henri), 59-60, Pot, 103 Landscape with the Body of Phocion 49> 79 123 "handwriting," Cezanne's Carried out of Athens (Poussin), Mont Sainte-Victoire with Large flute glass, in The Dessert, 39, 40 Aix-en-Provence in, 18 50,50 Pine (Cezanne), 99n.8 Foliage (Cezanne), 70, 70-71, 79 Provence in, 17 language play, 28, 43n.2O Morelli, Giovanni, 7n.7 145 INDEX