Claudia Grünig ARTICUL CTION A C o n t e m p o r a r y A r t R e v i e w Special Issue Aliée Aliée from my cycle "Stiller Gast“/ (Silent Guest). In new production methods emerged, led to an the first pictures of this series, the theme of expansion of agricultural goods in the mid-16th isolation was in the foreground. In the century. This new wealth demanded continuation of the cycle a new theme asserted representations that represent and be able to itself. I had planned shots with tableware and celebrate it. In its mythological exaltation, the others with fruits and vegetables. I had bought presence of the trivial in the staging of commodity all the ingredients for them in the morning at aesthetics, thus conquered a new place in the weekly market. In the realization, my shots painterly representation. soon turned into a kitchen piece, in which the Kitchen pieces became the occasion for a pictorial depiction of the kitchen room with dishes and reflection on consumer habits and attitudes to the food arranged in a still-life-like manner emerged new wealth as early as the 16th and early 17th as a motif, as we find it in Dutch painting of the centuries. Today in industrialized countries, 16th and 17th centuries. everyday goods and food seem available for all of My photographic work refers to a subject that us to every times. In the oversupply of what is emerged in an era marked by economic available, my model "disappears" in of my upheaval. Economic and social changes, in which photographic work almost under this opulence.