CONCLUSION While each project had to face hindrances presented by authorities they also established success stories that impressed key stakeholders and paved the way for future iterations of similar initiatives. Due to historical frictions as well as governments’ lack of interest in collaboration, the music industry is no exception to the isolationism plaguing the Balkans. However, the MOST community offered networking opportunities across the Balkan countries and the beyond, and proved that music is central to reconciliation, rehabilitation, and resistance. 33