ELIS Land scape CONTEMPORARY ART REVIEW times, and i think i’ve been in shadow ban of 2022. It slowly evolutioned into this epic for almost two years now. It’s annoying interdisciplinary experimental artistic because i believe that male and female collaboration (with composer Dong Zhou nudity should be equal on platforms like and choreographer Huen Tin Yeung) instagram. And i keep pushing my luck with, focusing mostly on emotional reactions, sometimes feminist but fair, photographs where our approaches are against form and and artworks of bodies. But for anyone who structure. The artists share intimate obeys the rules of instagram and follows its moments with the audience. “feel my laws and likes the commercial side of art - goosebumps” is a durational 2+ hours long instagram can be a perfect place to gather performance-happening that revolves the global audience and earn money or share around the idea of cyclicity, seasons, life and their creative and other insights. death, connection between earth and bodies. It’s an exploration and But i’m not one of those people, i’m actually deconstruction of rituals, like funerals, and getting tired of this online world that cares myths about underworlds with references to so much about likes and comments. I dont past and present, science and poetry and consider the online world fake, it’s just one music and movements, and more. side of the story, it’s part of the real world as Ps. with real soil and earthworms ;) well, just a fragment, fraction. So for now i only care about making my instagram an https://www.lichthof- interesting place to practice my visual theater.de/programm/feel-my-goosebumps/ philosophy, and i fucking love how it’s turning out to be. But simultaneously i’m usually participating Here: in some smaller art projects and https://www.instagram.com/elis_prostotak collaborations, researches and things that We have really appreciated the multifaceted attract my attention. nature of your artistic research and before Thank you for reading and giving me a leaving this stimulating conversation we chance to tell my story a little bit . would like to thank you for chatting with us and for sharing your thoughts, Elis. What https://bio.site/eliselis projects are you currently working on, and what are some of the ideas that you hope to explore in the future? At the moment i’m in the middle of rehearsal period and final preparations for the premiere of “feel my goosebumps”. This art An interview by Josh Ryder, curator project is a reaction to a poem i wrote when and Melissa C. Hilborn, curator I arrived in Germany (from Ukraine) in spring [email protected]
LandEscape Art Review, vol.72 Page 166 Page 168