Nikoletta Tzanne ARTICUL CTION A C o n t e m p o r a r y A r t R e v i e w Special Issue the materials.It was necessary to be familiar symmetries, the tension, are being with the properties and the technical developed in a totally different way. characteristics of various materials. In the Improvisation allows the piece to evolve in final two years you were free to develop your unexpected ways, therefore there is a ideas in any way you want. I feel the need to continuous transformation of the immanent be so analytical about my training because I relation of the sculptures when I am working. believe that one can understand the roots of .There is a constant change by adding taking my visual vocabulary. out and reshaping the materials. When I moved to United Kingdom to attend The body of works that we have selected for the Master in Fine Arts in Slade School of this special edition of ARTiculAction and that Fine Art the transition was quite challenging. our readers have already started to get to It was a completely different educational art know in the introductory pages of this system with other priorities and with various article has at once captured our attention views about the ways art can be produced. I from the way you sapiently provide to ideas realised that being a studio based artist and belonging to the emotional sphere with trying to implement my ideas through the such unique materic identity, able to unveil use of drawings and material was the way I chose in order to be developed as an artist. the immanence of reality: when walking our readers through your usual setup and Your works are marked out with unique process, we would like to ask you how do multilayered visual aspect, and drawings play you consider the role of aesthetics playing crucial role in defining the idea that you want within your artistic research. to work on. New York City based artist Lydia Dona once stated that in order to make art Nikoletta Tzanne: I feel that the body of my today one has to reevaluate the conceptual work involves the idea of meeting. What is language behind the mechanism of art the impact of interacting with someone making itself: how do you consider the other than oneself ;How the accidentally relationship between the necessity of intersection with various occurences affect scheduling your performance and the us. In my artistic research over the last few creative power of improvisation? Does years the question that arise is, although spontaneity play an important role in your images has the potential to show sights and artistic process? inshights which are not accesible to the eye Nikoletta Tzanne: My relation to the process and no communication in language can of drawings has changed over the years. It is convey, still images are not solaly made or still a way to put down thoughts, ideas and viewed exclusively for visual communication plans related to the implement of a piece. I in questions.Possible the idea of objects that am also interested in exploring the are not taken up only with their capacity to procedure independently. I realize that a advance a theme, have led me to search sculpture should not be strictly dictated by a thoroughly their materic identity. drawing, the balance, the contrast, the