ICUL CTION SUMMARY ART A C o n t e m p o r a r y A r t R e v i e w  Nikoletta Tzanne Photo by Ildiko Sopronfalvi C o n t e m p o r a r y A r t R e v i e w Ildiko Sopronfalvi Enne Tesse Gregory A McCullough Nikoletta Tzanne Yuying Song Claudia Grünig Hungary USA Canada Greece / United Kingdom China / Spain Germany Ildiko Sopronfalvi studied I revisit and reimagine the If one views Art and My work is an attempt to She is a visual artist-researcher, Photographs give photo design in Germany, human experience of dress Technology as structural explore the possibilities of born in China and currently doing at the Akademie Deutsche as layers that can make components in a social various materials, the a practice-based Ph.D. in Art the impression of Pop in Stuttgart and since “Generative Adversarial combinations and limits Production and Research at the representing then she has published and re-define identities; Network” than artistic that may have, in order to Polytechnic University of Valencia, offer body modifications endeavours offer a positive produce aesthetic objects Spain. And she received a Chinese reality. The numerous publications and and transformations; evolutionary progress to that comment on different Government Scholarship from the medium of photo series in American simulate protection; society. Technology is the emotional situations, China Scholarship Council (CSC) and European fashion McLuhanesque medium that issues such as for her doctoral studies. She is photography magazines. According to provide concealment; mark ultimately modifies its interested in the theory and enables me to her own admission, her human social structures; confrontation, confusion, history of documentary,cinema, fashion photos deal more spark narratives and group users. “Every way of being, calmness, balance, photography, especially the theme locate inner states becomes a way of knowing.” pressure, conflict and that focuses on the figure of with emotions and social relations; and allow for We become slaved to how movement. women, immigration, social issues in "reality". significance, and the survival. the technology is used day The process that is being and, also the culture of digital photographer also likes to to day, and our view of the followed for the production media. What interests me play with colours, My work is rooted in skills world is reshaped to this of my works plays a key Her recent research output contrasts, textiles and and practices performed to new mold. role in defining the idea includes the essay Art born during in my work is the forms. "Environmental produce and alter clothing through the material the COVID-19 Pandemic published paradox of awareness has been a including sewing, I see arts role as elucidating identity of the artwork. It in ANIAV - Journal of Research in "inventing concern for a long time, mending, pattern making, and illuminating our current includes drawings and Visual Arts, Why do I live here is a and I think it's important cutting, crocheting, paradigms of being, so to constant changes of each Documentary essay on Chinese photographs". to pay attention to it. I weaving, embroidering open them up to a self piece by going back again immigration in Spain published in want to open people's eyes critique. Hence the and again, by taking away AVANCA / CINEMA 2021, if we pay a little attention, and knitting. “content” of art is pieces and adding others. International Conference Cinema I use the individual we shop more consciously, These sustained slow boundless. Yet obviously an The continuous Art, Technology, Communication, elements of reality both in fashion and in artist must have a focus. transformation of the Article A TRANSNACIONAL other areas, we could moving practices, Mine seems to reside in the immanent relations of the FAMILY CHINESE IMMIGRATION as a new beginning possibly start with an repetitive acts, rituals, translation of seeing from objects may seem IN SPAIN accepted by the journal in terms of content. opposite process of being patterns and rhythms are one medium to another. gratuitous but still very Diecisiete and Western Feminist In doing so I create my focus while keeping Instead of grasping at what essential to me in order to Experimental Film: Between able to prevent humanity awareness of possible is ‘lost in translation’, my define form and idea and Experiment and Experience- an emotional from rushing to its art explores and celebrates to reach the completion of 1960s-1980s accepted by the memory image. demise," the artist said. deviations. the ‘Found in translation’. each piece. journal film literature. Special Issue