Nikoletta Tzanne ARTICUL CTION A C o n t e m p o r a r y A r t R e v i e w Special Issue and in sculptures during the first years of my were harder and were not suggested to be study has played an important role in my worked in a direct way I was trying no matter relation to the materials. The process of the time and the technical difficulty to adjust putting and taking out flexible materials such them to the above way of working. When I as clay and plaster and seeing the dramatic started my MA at Slade School of Art i realized change that this had in the object had been that the process that i had followed was not seemed very compelling. As I continued random and that using materials that I could studying I realized that even materials that work directly had been allowed me to make a