Enne Tesse ARTICUL CTION A C o n t e m p o r a r y A r t R e v i e w Special Issue the relationship with a globalised audience? Enne Tesse: I connect with my audience through on-site and online gallery exhibitions, in-person and virtual studio visits, and my website. My work has appeared in print and online publications, virtual exhibition tours as well as online talks and discussions. Withhttps://www.instagram.com/ennetesse it is possible for me to reach an immediate audience as well as to communicate directly with viewers worldwide. Thanks a lot for your time and for sharing your thoughts, Enne. Finally, would you like to tell us readers something about your future projects? How do you see your work evolving? Enne Tesse: My future projects include my work “Capture” which I began in 2019 and plan to bring to completion. This work was inspired by th Giambattista Basile’s 17 century fairy tale entitled Petrosinella, a predecessor of Rapunzel. In this large 12ft high by 11ft wide wall piece, cotton drop cloth straps are sewn together to form a towering gowned figure. The figure reaches down towards the viewer by way of polypropylene rope strands. In the belly, the figure carries a crocheted green wool yarn bag containing more polypropylene rope. Also, I plan to continue writing flash and micro fiction. My story “Becoming” was recently published online in Kaidankai and four micro stories will appear in an upcoming online publication. . An interview by , curator and , curator