Figure 13 which a connection between the biographical and the still-life subject occurs. This Paul Cezanne drawing-and-watercolor page is not a still life per se, but it brings the subjects of por- Madame Cezanne with trait and floral still life in conjunction with each other. Drawn and painted just prior Hortensias, c. 1885 Watercolor and graphite to the time that Cezanne's home life was regularized by marriage, legitimization of on paper, 30.5 x his son, the death of his father, and his coming into property, it suggests the missing 46 cm (12 x i8Ve in.) link between the processes of the studio and the familiarities of the house, the green- Private collection house, and the bed, as well as the relationship between intimate and dispassionate observation. Unusually, it looks like a kind of tribute or love letter, although of course it may have been nothing of the sort. The diminution of Hortense's head in relation 30 CEZANNE IN THE STUDIO