Figure 14 Paul Cezanne Curtains, 1885 Watercolor, gouache, and graphite on white paper, 49 x 307 cm (19 x 12 in.) Paris, Musee du Louvre, Fonds Orsay past its neck to its hip—are irresistible in suggesting a fat little complacent figure, body replete with belly outthrust, head erect, and arm akimbo. Thus it suggests some of the human affect proposed above for the central triangle of objects in the Getty still life. And Jacket on a Chair (pi. 5) from the early 18905, rendered in pencil with a hint of watercolor, suggests human habitation by dint of its very absence. With its empty, crumpled jacket, it is even more blatant in that suggestion than Cezanne's sketches of empty chairs, and at the same time it situates its uncanny effect of 32 CEZANNE IN THE STUDIO