Figure 44 Detail of Still Life with Carafe, Bottle, and Fruit ( l. 22) P under the watercolors) can be experienced in just that way—not only as enhancing and confirming the outside edge of the carafe and other objects but also as redou- bling the kinesthesia of drawing. Inasmuch as Still Life with Carafe, Bottle, and Fruit rehearses the action of drawing that brings its glassware into being, it also lays out the liquid properties of watercolor, as well as its quality of translucency and finally its ability to allow pencil to show through—or not—depending on the material saturation of pigment and the buildup of layers to the point of opacity, depending, that is, on the proportion of 131 PENCIL LINES AND WATERCOLORS