Plate 17 Paul Cézanne xecuted in the last years of Cezanne's and the pot. A full-fledged tableau, it renders Still Life with Apples on E life, Still Life with Apples on a Sideboard is enough of the surrounding space to give a Sideboard, 1902-6 one of the fullest and richest still lifes of that those objects a wider context. Yet this still life's Watercolor on white paper, 47.9 x 62.9 cm vibrant period. In addition to the same blue objects are not really available for everyday 7 3 enamel pot found in the Getty watercolor, an use and consumption. They are too prolific and (i8 /s x 24 /4¡n.) Dallas, Dallas Museum of Art, array of other familiar objects are laid out on crowded for eating or cooking and thus evoke The Wendy and Emery its humble, single-drawer sideboard: wine the studio, rather than the kitchen or dining room. Revés Collection, 1985.^12 bottle; fat, flowered, wavy-lipped pitcher; platter; Vividly colored and fleshed out in the projecting knife handle; and approximately fifteen widest range of that palette, this still life is as apples, four within the plate and the rest grouped "finished"—in the sense of being complete—as to either side of it, at the bases of the bottle any of the watercolors of this period. 93 PICTURE AND SKETCH